Illustrative goings on.

As always I have been remiss on my updates. I have, however, managed to fit a bit of paid illustration work into my hectic procrastination schedule. As well providing me with deep creative fulfillment this allows me to put food on my families plates and a roof over their heads. And it has also allowed my 7 year old son to give up his job as a chimney sweep and return to school.

Here's a couple of the latest efforts. First up, for 'Go', the inflight magazine of AirTran, an illustration for an article about 'Literary Death Matches', which sound fascinating but are really just literary readings with some gimmicky showmanship added to make them slightly less tedious.

Extreme Literary Events are all the rage. Apparently.

Next we have an illustration for an Alumni magazine published by Suffolk University in Boston. This one was for an article in which the author was bemoaning the fact that she had turned in a below par performance as a guest on Oprah's TV chat show. Knowing that she was feeling bad about messing up her 15 minutes of fame, her husband then did what any caring partner would do in those circumstances. He sent her a fake letter, supposedly from Oprah's production company, stating that she would not be welcome back on the Oprah Show because her performance had been so stilted. The author was not pleased.

I laughed. I cried, I drew a picture.

CA Illustration Annual 2010.

Bit late this one, but good news nonetheless, the 2010 Communication Arts Illustration Annual was published in May, and I'm delighted to say I managed to get the above illustration accepted into the 'Institutional' category. Apparently there were over 7000 entries so I'm pretty chuffed to get in. The winning entry is a Holiday card I created for Hang Art, the gallery that represents me in San Francisco. If you have your very own copy of the annual you can gaze upon my triumphant entry in all it's glory on page 176.

I just received my very own 'Award of Excellence' certificate in the mail, complete with very shiny gold type, which I will not hesitate to use to impress people who are impressed by such things. They even spelled my name right. Hooray!

Flaming Lips, Timberlake and more name-dropping.

Wayne Coyne and Evil Robot Bit of a strange one this.

I was the lucky recipient of a feature on JustinTimberlake.com back in July of last year. Then just last month the delightful proprietors of the site got in touch and asked me to create an portrait of Wayne Coyne - the singer bloke from The Flaming Lips - and make a video of myself drawing it.

It was an interesting experience, although I must admit there wasn't a lot in the interview to really get my teeth into when it came to coming up with an idea, which explains the Evil Robot quote.  I liked Wayne Coyne's reaction to the question, which unfortunately ended up being deleted, so I'm not sure how much sense the whole thing makes now.

Anyway the post is up now on the website as the visual component of an interview with the aforementioned Mr Coyne.  It's a bit of a 'mash-up' with LA based artist SA Richard butting in every so often with his Big Painting. And to be honest it all seems a bit long to me.

Here's the whole damn thing, regardless. Consider yourself warned.

[youtube=http://www.youtube.com/watch?v=JL45VXIhILg&feature=player_embedded]

Official Merch.

Late last year I was contacted by merchandising company BlueQ about using some of my artwork on one of their stainless steel water bottles. They chose the 'Unbeknownst to you I have been keeping score all along' piece that had appeared in my Sisyphus Office installation, and asked me to re-do it to fit the bottle shape.

I have to admit it seemed like a peculiar thing to stick on a water bottle, but who am I to argue with a crack team of hip marketing experts. Maybe dehydrated stalkers and obsessives are a big target market. Anyway the BlueQ people were an absolute pleasure to deal with, and they just sent me a load of bottles, which look fantastic - even if I do say so myself.

This remarkable receptacle is now for sale online and at pointless trinket stores everywhere. Not only do I get paid a tiny amount anytime someone's foolish enough to buy one, but 1% of the sale goes to support the conservation work of The Nature Conservancy. For those who care about such details, the bottle is 20oz./600ml, BPA free, no liner, 18/8 stainless steel and decorated with lead-free inks, all of which are good things, I'm sure. So all that remains is for you to buy one. Now. And yes, I will be keeping score.

Cheers.

The City - Group Show.

Poster for the show.

I've got half a dozen or so new pieces in a group show at the First Amendment Gallery in San Francisco. The show is titled “The City” and is intended to be " a celebration of the city we live, work and play in.  See San Francisco through the eyes of nine different artists as they represent their favorite elements of the city." I have to admit my contribution fails miserably when it comes to addressing that proposition, but hopefully no one will notice. And if they do, it's too bad, really, since there's no changing any of it now.

Things kick off  on Thursday, February 11th with the opening reception at 1000 Howard, on the corner of 6th, from 7-10pm, and it's a 21+ event "with beats by DJ Don Kainoa and drinks by 1:AM bartenders" - I'm sure you get the picture.  I hope to be there "chillin' with my bros", or something similar, so I encourage everyone to turn up and ply me with the aforementioned drinks. The show will run through February 27th.

You can see most of the pieces I'm showing here. And I'll bung another couple of images down below, for those of you who can't bear to tear themselves away from these scintillating words.

"The Uphill Struggle", mixed media on canvas,14" x 18"

Yes, it's for sale! You know you want it.

"Actions Speak Louder Than Words", mixed media on canvas, 18" x 18"

Book of the Week on Blurb.

Hours of high-quality entertainment at a very affordable price. Those lovely people over at Blurb have bestowed this illustrious honor upon the book I hastily slapped together, I mean painstakingly designed, last year. This couldn't really come at a better time since while I was watching the telly last night about 50% of the electrics in our house suddenly imploded and left us sitting, entertainment-less,  in darkness. Hopefully the resulting enormous spike in sales of this "poignantly hilarious" volume will help me pay for an electrician, and I cease my pathetic attempts to entertain the kiddies with puppet shows by candlelight.

If you'd care to buy one and help my children avoid the disturbing spectacle of me talking in a high-pitched voice and wielding  glove puppets you can click right here. Or if you prefer to click on something more visually stimulating there's a natty little link off to the right hand side and down a ways.

By the way, if you take my advice you'll buy the Hardback version. The paperback's cover has a disappointing habit of curling up like a week-old cheese sandwich after just one read. (Please note:  this has absolutely nothing to do with me getting more money for the hardback - obviously.)

Blogapolooza!

That's one hell of a lot of blogs. I've been having a blogtastic time lately. Over the last few weeks the Bloggerati have been blogging my work  and even blogging each others blogs about my work. It's all been bloggeriffic. I just want to express my humble appreciation for all this undeserved attention and the kind words and comments that have been posted in all quarters of the World Wide Internets. It's tremendously encouraging  and I really appreciate it, so thank you all.

In other news... the Sisyphus Office installation keeps on rolling! Yes the show might be down, but it's not over yet. Amazingly the Contemporary Art Museum in Houston seems to have decided to reconstruct some version of my haphazard exhibit within their hallowed halls. Details are a little unclear right now, but stay tuned for more.

Sisyphus Office Tour.

Sisyphus Office curator, top artist and all-round good egg, Jonn Herschend leads a bus-load of bemused art lovers around my installation "What I do at work when I'm supposed to be working", which is scattered around the offices of Radio Station 90.1 KPFT in Houston, Texas. [vodpod id=ExternalVideo.841249&w=425&h=350&fv=]

more about "Sisyphus Office Tour", posted with vodpod

Sisyphus Office - a group show in Houston, TX.

What my bit of the show is calledSisyphus Office is an exhibition organized by San Francisco based artist, curator, and co-founder of The Thing Quarterly, Jonn Herschend and based out of Skydive, a Houston, Texas gallery.

The artists involved in the project are collaborating with businesses and offices in and around Houston in order to highlight art as an integral and necessary distraction in our day to day life. The artists and offices involved in Sisyphus Office are working physically and conceptually with the notions of existentialism, capitalism, artistic romanticism and deadpan slapstickism as a means to examine the artifice that keeps us clinging to reality and distracted from the void. Sisyphus Office is about punching the clock, and then punching it again…but harder the second time. It’s about transcending the mundane through the beauty and absurdity of distraction. It’s about recognizing the comedy in the tragedy of the day to day… and then waking up again to do the same thing all over again the next morning.

My somewhat hastily assembled contribution to this group show is a so-called "installation" in the offices of Houston radio station 90.1 KPFT. It's entitled What I do at work when I'm supposed to be working.  and it consists of a bunch of small, abject text-based artworks made entirely from office supplies. These are pinned up randomly around the shabby looking office, hopefully to be stumbled upon in amongst all the existing notices, flyers and memos that were plastered all over the walls and noticeboards. More details here: http://www.theskydive.org/  

A couple of the artworks from my installation.

Solo show photos.

Here's a link to a little feature that appeared on the Doodlers Anonymous site with some nice shots of the opening night of my recent solo show. They were taken by Rachel, the sister of the mysteriously named Okat - the man behind DA.  She came a long way to take the photos and check out the exhibition. Thanks Rachel. title